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Learn the systemized approach to writing more engaging YouTube Scripts.
Start with a half-formed video idea. Leave with a retention optimized script that's ready to record.
My small, handpicked team will review your next script before you film it.
We'll help with the hook, structure, pacing, payoffs... and anything else your script needs! You'll get our detailed notes + recorded thoughts.
Trusted by 3000+ creators.
I'm giving away the templates I developed while writing for Ali Abdaal, Mike Shake, and many more. Scripts written on these templates have gained millions of views.
80+ retention graph reviews. 40+ niches. All in a single database.
Filter by niche, views, retention problem (etc), to find advice that applies directly to your content.
There's a rule I always follow when writing a YouTube hook:
If in doubt, keep it simple 👇
(Bookmark this article - my simple, 3-step hook formula.)
But, if we look closely, it's easy to spot the little extra sauce the biggest YouTubers use to keep us hooked.
So this week, I studied Ryan Trahan.
And I discovered the cheeky psychological trick you can steal that'll hook viewers for longer (in 6 simple steps).
For this demo, we'll break down the hook of I Stayed in Every Hotel at Disney World...
"Disney World claims to be the most magical place on Earth."
Other examples of “context” sentences:
Simply introduce the audience to the topic.
[B-Roll from Ryan's visit.] "Not only are the theme parks unbelievable but there are dozens of hotels at Disney that seem like fairy tales..."
Other examples of “proof”:
Your “proof” can be entirely visual. Get a good shot that proves you did the thing.
"This week I'm going to every single Disney World hotel to investigate."
Other examples of “structure”:
This is closely related to step 5, but we need to complete step 4 first.
"And guess who I'm bringing? A girl. A girl that says we don't have enough photos together."
Other examples of “motivation”:
Give your video emotional weight, either for the involved characters (entertainment), or for the viewer (educational).
"So my plan is simple. I take her to the most magical place on Earth - Orlando Florida, home of Disney World. And, every day, capture a magical moment that we bring home to frame."
Other examples of “plan”:
It's ok to add more detail to the concept once the audience understands your "why".
"And Haley doesn't know this, but I'm really trying to book the room inside of the Magic Kingdom Castle, which is nearly impossible by the way."
Other examples of setting up the “payoff”:
Think - what's going to get your audience really curious?
Remember - you don't have to stick to the same order as Ryan. Simply try to include all 6 elements.
Oh, one last thing...
Ever wondered what multi-million sub YouTubers are actually like in person?
Are they driven? Introverted? Strategically lazy?!
Having worked with a tonne of huge YouTubers for the last 2 years, Gwilym, Jamie and I discussed the traits we've spotted time and time again 👇
That's all for this week. Any questions, just let me know :)
Speak soon,
George 👋
Scriptwriters constantly ask me how to find clients.
So let’s talk about it.
You’ve probably heard of ytjobs.co, Fiverr and Upwork.
That's where most writers/editors/creators think they should start.
But unless you have a portfolio (of even just one video), you have no social proof.
Therefore, you have just one goal - to get that first client + testimonial.
Everything else will follow.
But how?
Like anything, you can’t just "do a skill" without practising it.
I learned more about scriptwriting in 6 months reviewing people’s retention graphs than after a year writing scripts for Ali Abdaal.
So throw yourself in.
Then…
Share your thoughts, breakdowns and hot takes.
Twitter, LinkedIn, Newsletter... it doesn't matter.
And, if you’ve already written a couple of paid scripts…
What did you learn?! Talk about it publicly!
Almost every lead I’ve ever had has been inbound. Why?
Because I’m constantly sharing my thoughts on scriptwriting.
Eventually, people start to notice.
But, let’s assume you’re trying to find a client right now.
Here are your options:
Scour the YTjobs scriptwriter page.
Then, reach out to them on Twitter or LinkedIn.
Or, find them directly on Twitter - search “YouTube scriptwriter” and you’ll find a bunch of people advertising themselves.
Finding other writers is invaluable because:
When I first went freelance, my friend (and now podcast co-host!) Gwilym and I pooled our potential leads.
If I was busy, I recommended him. And vice versa.
Meeting other scriptwriters is an industry hack.
There are two methods here:
1/ On Twitter, search phrases like “YouTube scriptwriter”, “hiring scriptwriter”, “need scriptwriter”.
You’ll find creators who are looking for writers right now.
2/ Reach out to creators you already watch.
It’s usually best to aim for creators in the 10-100k subscriber range.
At this level, they’re making money + excited to keep scaling.
DM or email them with something like this:
“Hey [name], I just re-wrote the hook of your most recent video. I believe something like this could perform better because [include rationale].If you like, I’ll happily look over any scripts you’re working on for free to see if I can make any helpful suggestions. No strings attached, and no expectation that you’d hire me afterwards - candidly, I’m building up my experience as a scriptwriter and just looking to add value and learn.”
If you do a great job, you won’t find many creators who wouldn’t pay to keep you on.
Generalising here, but…
Businesses suck at YouTube.
But they also have a lot of money to throw at the problem.
I'm talking anything from real estate agents to SaaS companies, or even local businesses that have high-ticket products/services.
Often, YouTube is an afterthought for businesses like these...
But they know at the back of their mind they ought to spend more time (or money) on it.
The ideal client is someone who’s already making content (i.e. they’re sold on the value of doing so), but their videos are bad.
Waltz into their DMs or drop them an email with an improved version of their most recent script, and ask whether they’d be interested in a paid trial to write another one.
Unlike when you’re approaching creators on Twitter, I encourage you not to work for businesses for free.
You’re likely to add significant value to their scripts + channel right away, and you’ll learn less about YouTube than when working for traditional “creators”.
Ergo, you deserve to be paid for your time.
I got my start with Ali Abdaal through a simple job application.
Creators regularly drop these in their video descriptions, so keep an eye out.
Easy peasy, (kinda).
Shout about it!
The instant I wanted new clients, I tweeted this:
Yes, having Ali as my first client was a ridiculously unfair advantage.
But no matter how big the channels you've worked with, testimonials + results show you're trustworthy.
So don't be afraid to shout about your achievements!
Now, I wish I could list a fifth method to get clients - "join my scriptwriting agency!"
However, as you may know, I absolutely hated running it and shut it down after 3 months 😂
But was this the right decision?
Well... feel free to check out the latest episode of Making It where Jamie and Gwilym quizzed me about exactly that 👇
I Closed my $15k /month YouTube Agency. Here’s Why.
That's all for this week. Any questions, just let me know!
Speak soon,
George 👋
Since 2021, the videos I’ve written have gained 25,000,000+ views.
And, as you’ve probably heard over and over again…
The idea is the most important part of any video.
That’s why I’m excited to show you how I’m using 1of10.com to grow the ideas bank for my own channel…
…and how this impacts the scripts themselves.
Thanks to 1of10 for partnering with me this week 🤝
You can get 20% off your subscription (recurring!) using the code "GEORGEBLACKMAN".
I'm super excited about this partnership because I literally use 1of10 every single day.
So let’s talk about how you can use outlier videos to:
In 1of10’s search bar, I can search for the niche I wanted to get inspiration for:
As you'll see below, 1of10 only shows videos that are outperforming their channel’s recent views average.
So, right away, I know that every video I’m seeing is doing something particularly well 👇
But, for my channel, I need to be mindful of something...
YouTube advice can go stale fast, so I don't want to see any videos that were published years ago.
In fact, there were a few extra parameters I wanted to set.
So I filtered for videos that:
Once I applied these filters, I noticed a video called “How To Write A Killer YouTube Script (2024 Algorithm)”.
This is exactly the type of video I could see myself making a version of...
So I wanted to see similar content that could inspire me.
Aaaand 1of10 lets you do that by clicking “similar topic” 👇
Now I was only seeing videos similar to the one I liked 👇
But a big problem my students have raised inside my community is knowing which outlier ideas to take forward...
To help with this, I consider these 3 factors:
Based on those factors, I used 1of10’s “bookmark” feature to save a bunch of these videos into a visualisation space 👇
Now I've got a bank of super relevant, high-performing content from which to take inspiration.
But how does this influence the script itself?
This is where a little analysis comes in.
By having these high-performing outliers in the same place, it’s much easier to compare how they approach their scripts.
Pay attention to their...
Here’s a super distilled version of what that might look like for three of the videos in my “bookmarks”.
How To Write A Killer YouTube Script (2024 Algorithm):
Tone: Chilled.
Format: 5-step system.
Style: Fairly basic talking head A-Roll.
How To Write ADDICTIVE YouTube Scripts:
Tone: “Conspiracy.”
Format: Superfast hook, straight into point #1.
Style: Rapid editing changes, not to my taste. Appears to be deliberately overwhelming.
how to make a killer youtube intro (for the 2024 algorithm):
Tone: “Traditional” explainer.
Format: Another system (4 steps)
Style: Inspiring (”most creators got their big break from one video”)
As James Hoffman says, it's way easier to figure out which type of coffee you like by directly comparing two different cups.
So, by analysing and comparing these outlier videos, it’s easier to figure out what you want your scripts to look like.
My takeaways:
1of10.com makes this process so much faster and ensures you’re only ever modelling videos that you know are outperforming others.
Remember, you can use “GEORGEBLACKMAN” at the checkout to get a recurring 20% off your subscription.
If you have any questions about how I use 1of10 (or anything else!), feel free to drop me a message!
Speak soon,
George 👋
I've written for 10+ channels, advised on content from 40+ niches, and consulted with 10,000,000+ subscriber creators.
People have said nice things!
Ali Abdaal
@aliabdaal
Justin Moore
@creatorwizard
Abi Connick
@abiconnick
Jake Thomas
@creatorhooks
Mike Shake
@mikeshake
Creator Booth
@creatorbooth
I started as a full-time scriptwriter for Ali Abdaal, and have since worked with creators between 30,000 subscribers, all the way up to 10,000,000.
I'm on a mission to educate both YouTubers and writers about the impact scriptwriting can have on a channel.
Whether your goal is to increase retention, target the “right” viewers, boost AVD, skyrocket end-screen CTR, or simply make the process of making a video less stressful…
I’ve gradually arrived at the conclusion that learning to script YouTube videos is essential.
My team and I are here to make your life as a YouTuber easier.
You might have a bank of video ideas that you’d love to develop, but you’re always running out of time.
Or maybe you’ve got a brilliant system for creating content already in action, but the “writing bottleneck” is preventing you from scaling.
At PlayWrite, we’ve got you covered:
You provide a brief using our super simple Google form (takes 10 minutes).
We’ll script 2-4 videos per month, 100% done for you.
No long-term commitment.
Click below to join our waiting list.
Join 3,000+ scriptwriting nerds reading “Write On Time”. Insights from writing for multi-million subscriber YouTubers sent to your inbox every Friday.