A podcast roundtable where we share our experiences as YouTube producers, writers, thumbnail designers, and strategists working with a bunch of exciting YouTube channels.
Expect honest discussions about getting hired, growing channels, and finding work-life balance in this fast-paced industry.
Ali Abdaal
@aliabdaal
Join 2,200+ scriptwriting nerds reading “Write On Time”. Insights from writing for multi-million subscriber YouTubers sent to your inbox every Friday.
I know you wouldn't normally hear from me on a Saturday, but it's been a heck of a week!
This week, I had the privilege of attending VidSummit to deliver a talk about YouTube Scriptwriting and AI.
My talk was the very last of the entire conference, and considering the fatigue I was experiencing by that point, I was not expecting the turnout we got - somewhere in the region of 150 folks.
And it struck me - back in 2022, I was writing this newsletter to fewer people than that for months.
So to have the opportunity to speak to such an incredible group LIVE is making me teary eyed even as I write this!
Not only that, but I lost count of the number of you that I was fortunate enough to meet before and after the talk.
Newsletter readers, students, and even past clients - I will never take it for granted that (in our little pocket of the internet world) there are so many kind people that I've been able to connect with thanks to writing this newsletter.
From handshakes, to hugs, to sharing a few too many drinks on the final night... I'm honoured to have spent these few days with you 🫡
But let me say, regardless of whether you were able to attend VidSummit this year...
...the fact that you're reading this now - and the fact that you've ever opened one of my emails - is the reason that VidSummit were crazy enough to let me talk in the first place 😂
So thank you for your support! I'll endeavour to pay it back as many times as I can between now and next year with these emails.
That's all for this week.
Any questions? You can to reply to this email and I'll get back to you.
Speak soon,
George 👋
Assuming you're reading this on Friday… my YouTube channel just went live!
But this isn't a "go watch my video!" type email.
Instead, I want to share the weird launch strategy I’m using, and how you can steal parts of this approach even if you've already uploaded hundreds of videos.
Inspiration for this launch strategy came from these two fellas:
Both smart, both effective. But I wanted to push it further...
While I'm posting all 3 videos simultaneously (just like Nate and Ed), I wanted to create a truly bingable experience for my viewers.
That's why, using end-screens...
That means, no matter which video viewers land on, they'll get pulled into a cycle that should (if the videos are good enough) get them to watch all 3.
Whereas one of Ed's videos linked back to his main channel... mine form a complete "circle".
And whereas Nate's technique relies on YouTube suggesting the three videos in the suggested tab... I've constructed end-screen CTAs intentionally to ensure viewers get pulled through all 3 videos.
But it doesn’t stop there.
I've already written and filmed videos 4, 5 and 6 - and each of those videos keep the chain going...
...at which point, they enter THE WHIRLPOOL!
Whether you’re launching a brand-new channel or simply want to increase the value you're able to provide to your audience:
Ok fine - just a small plug :) I recommend starting here 👇
Free Live Session + Q&A With Me
While we're talking about the launch...
...I'd been "planning to start" my own channel for over two years.
But even with all my time-saving scriptwriting frameworks, I could never find enough time to make it happen.
So, after finding every excuse in the book, this year something finally clicked.
And with a cheeky little system and a few simple guardrails, I'm now writing and recording at a rate of one video per week.
Without it, I would not have been launching my channel today. (Let alone with another 3 videos in the can!)
I'm sharing that writing system with you for free on October 15th, at 5pm BST.
It won't be recorded, so if you want an inside look at how I write scripts for my channel (to help you write faster and upload more) make sure to sign up below:
That's all for this week.
Any questions? You can to reply to this email and I'll get back to you.
Speak soon,
George 👋
After announcing my upcoming talk at VidSummit...
...I'm pleased to follow up with the news that I'll also be joining a panel called The Impacts of AI on Content Creation, alongside Roberto Blake, Matt Wolfe and Murray Frost.
With that said, I want to ask you something that might directly influence what I say on stage.
Because here's the truth:
Two years ago, I was still resisting AI.
But today, I use it daily, I sell an AI-based product, and I'm now going on stage (twice!) at the world's biggest YouTube conference as an "expert" on the topic 🤯
It got me thinking: it's amazing how much my attitude to AI has changed in a short span of time.
And I'll bet yours has too.
Maybe not in the same way, or at the same speed... but I'll bet it has.
And here's the coolest thing:
You and I are part of a pretty unique group, [FIRST NAME GOES HERE].
After all, the YouTube community is enormous...
...yet you, me, and 5700 other creators have specifically chosen to take scriptwriting more seriously.
And, as someone who made the investment in the AI Scriptwriting Toolbox, you're already thinking tactically about how to integrate AI into your scripts.
So, at a time when more and more people are asking questions like:
Well... we're the people who are actually testing this stuff, figuring out how to integrate AI usefully into our workflow, and seeing what it's really capable of.
Which puts us in a pretty unique position.
So, with that in mind, I want to ask you 3 simple questions:
Click here to answer (takes 30s).
I'm putting everyone who answers into a hat and 2 random winners will get a prize:
I'm only invited to speak on a stage like this because of YOU!
So I want to get your voice heard while I'm up there:
Click here to answer (takes 30s).
That's all for this week.
Any questions? You can to reply to this email and I'll get back to you.
Speak soon,
George 👋
First up, a quick announcement I'm very excited to share:
🙏 Next month, I'm giving a talk at VidSummit 🙏
The talk is called: How to Script YouTube Videos Using AI (Without Losing Your Soul)
I've been thinking about this topic a lot since releasing the AI Scriptwriting Toolbox earlier this year.
To be given the chance to share my thoughts at the biggest industry event in the YouTube calendar is mad.
(And it's thanks to you reading my newsletter that I'm able to keep sharing what I learn with more and more folks, so thank you 🙏)
If you're heading out to Texas for the conference, I'd love to see you there! Either at the talk, or at the bar afterwards where I'll be "settling my post-talk nerves" 🍻
See the full speaker lineup here.
When I started out as a YouTube scriptwriter in 2021, I thought chapters were supposed to make it as clear as possible what each part of the video was about.
And, in a way, that's true.
But there are some major caveats every YouTuber needs to keep in mind if you don't want your chapter titles to wreck your retention.
Because, honestly, I look back on chapter titles I wrote in 2021 and feel guilty that I inflicted stuff like this on one of my earliest clients:
So, here are the 4 rules of YouTube chapter titles...
In the example above, I literally give the audience everything they need to know about the video from the chapter titles.
"Why do sponsorships go wrong?", the viewer asks as they land on the video.
"Oh", they realise the instant they hover their mouse over the timeline and read the chapter titles. "I should remain calm, trust my gut, and make sure I follow up. Cool."
Of course, your video will go into more detail about each topic, but if the viewer thinks they've understood the gist, they'll leave.
Instead, to disguise the payoffs:
As you may know, I teach the "setup, tension, payoff" approach to script structure.
Each time you set up your next point, build tension as you explain it, and pay off that curiosity... that's a segment.
But that doesn't mean one segment = one chapter.
Some topics might take 5+ minutes to explore fully, which means you'll need to include more than one payoff in that time.
But... if it's still covering the same topic... it's probably only one chapter.
So don't get stuck thinking a longer chapter can only contain one payoff at the end.
You can put multiple segments in a single chapter.
Despite what I said about rule #2... there is a limit.
If a viewer starts to get bored, they'll do one of two things:
In scenario 2, we want it to be as easy as possible for them to hover over the timeline, check out a few chapter titles, and become re-intrigued by one of them.
But if your entire video is made up of just 2-3 MASSIVE chapters, it creates the impression that the video isn't structured intentionally, which makes it harder for the viewer to find a new jumping-on point.
Ergo, they're more likely to click away.
If your videos go in-depth about complex topics, or you know your audience watches your content to get a highly specific answer to a highly specific question...
...consider testing "rapid-fire" chapters.
These chapters might be as little as 15-20 seconds in length, depending on each topic.
If your channel matches the description I gave above, your viewers are more likely to appreciate being able to dip in and out of your content, get what they need, and leave again.
This might sound bad - people watching for less time?
But the long-term play is always viewer satisfaction.
And if your audience knows your videos always have the answers they're looking for and it's easy to navigate to those answers because of your rapid-fire chapters...
...they'll come back to your videos time and time again.
That's all for this week.
Any questions? You can to reply to this email and I'll get back to you.
Speak soon,
George 👋
This week, one of my students shared a hook he was working on for a new script.
Alongside it, he shared an AI rewrite of the same hook.
His question was simple: "Which do you prefer?"
A few of us debated this in the comments underneath, and something unexpected happened:
None of us agreed.
This lack of consensus intrigued me, so I decided to discuss the topic on my podcast, Making It.
My co-hosts, Jamie and Gwilym, are two YouTube strategy people, and I wanted to know whether they'd be able to reach a consensus.
So I created a little game for them 😈
I broke down each version of the hook - the human version, and the AI version - into 7 key "moments".
My co-hosts had two tasks:
Their responses were... incredibly revealing 👀
This was pretty much what I'd expected.
AI outputs have plenty of little "tells" that reveal a human didn't write it, so I wasn't surprised they'd correctly identified then.
But then something happened that I really didn't expect.
To finish the episode, we read both hooks, one after the other, in full.
And despite having overwhelmingly preferred the human writing in the individual sentences...
...when taken as a whole, they actually preferred the AI version.
Even though its its individual sentences felt clunky, the flow of the AI - the way it was structured - made it feel like a more complete package.
That's all for this week.
Although, I'm curious... from the example I shared, can you tell which is AI-written?
Hit reply and let me know!
Speak soon,
George 👋
I finally cracked a sustainable writing + filming system that allows me to write word-for-word scripts in under 90 minutes (consistently).
Below, you’ll find two screen recordings showing you the entire process.
But let me quickly break down the steps here so you can understand what’s going on.
Using a table-format script, this is the rinse-and-repeat system I use every week.
The result? A script that looks something like this:
But this only works under two conditions.
One important thing I learned from Ali Abdaal (not that this was the lesson he was trying to teach us), is that your excitement for an idea rapidly depletes after the initial moment of inspiration.
So it’s important that filming happens no more than 48 hours after the scripting is done.
With that being said, here are the screen recordings of two recent writing sessions.
There’s no commentary (I was in the zone!) and no editing.
Watch on 2x speed, skip around a bit, and notice whether watching this approach helps you overthink scripting a little less.
Notice how, by plotting the payoffs first, I end up with a clear script skeleton. This makes it much easier to spot structural problems early.
Here, I converted a newsletter into a script. I highly recommend this approach - if you’ve written about a topic before, in a newsletter, blog post, or even just a tweet… save yourself some brain power!
I recently sat down with a student of mine, Ethan, to discuss how a background in comedy helped me grow my business - check it out!
That's all for this week.
Any questions? You can to reply to this email and I'll get back to you.
Speak soon,
George 👋
I’ve spent a lot of time writing word-for-word scripts.
Theoretically, the reason I wrote word-for-word was to make filming easier and to create sharper, more engaging videos.
But, this week, I realised I’d been wasting my time.
And it's explains why I look so miserable in videos like this:
Ok, hear me out...
This is how I had always recorded videos.
But the fact was, no matter how closely I squeezed my laptop to the underside of my camera’s lens…
…I wasn’t “reading” the script.
I was memorising it in tiny chunks.
No wonder recording always felt so stressful.
But since using a teleprompter… I love recording.
No memorisation. No guesswork. No risk that I miss a crucial detail I deliberately included in the script.
I’m not about to say you have to buy a teleprompter.
But here’s what I realised:
If you don’t have a teleprompter, there is very little point writing a word-for-word script.
The value of putting that extra time into nailing every last word is that you unlock a degree of precision and accuracy that bullet point riffing doesn’t allow.
But if you’re not actually reading the script, you will stray from it. You will go on tangents. You will riff.
And riffing is ok!
But trust me… riffing off a series of bullet points feels so much more natural.
It allows you to properly relax into it, and speak from the heart.
It’s intentional riffing.
But riffing unintentionally, because you tried and failed to memorise your script in chunks… that doesn’t feel very good at all.
And the resulting video will almost certainly be worse, because viewers will read the stress in your body language.
Here's me, about 20,000 words into recording my course - sweaty, stressed, and mentally exhausted from all that "chunk memorisation"...
But here's me earlier this week, happily reading every. single. delicious. word.
(From a teleprompter.)
So take this as your permission to do one of two things:
That's pretty much it for this week! Glad to be back after a lovely vacation.
That's all for this week.
Any questions? You can to reply to this email and I'll get back to you.
Speak soon,
George 👋
This week, a client taught me one of the most powerful techniques I've ever come across for radically improving your next video before you publish it.
Next time you sit down to review a finished script, do this 👇
Every month, my client and I would sit down to analyse our retention.
And these retention graph reviews? They were brutal.
Not "brutal" because the graphs were terrible.
But "brutal" because we seemed much more willing to call out bad stuff when doing the post-publish review.
Now, sure, hindsight is 20/20, and there are always great lessons to learn from reviewing content once it goes live.
But we noticed something important.
The way our brains operated during a retention graph review after publishing always felt different from when we were doing the final script review before publishing.
It was like, all of a sudden, we were allowing ourselves to be way more brutal with our feedback:
What if we changed our mindset on the final review (i.e. final pass at the script, or final pass giving notes to the editor).
What if, instead of treating this like a video we were about to publish...
...we instead treated it like a retention graph review for a video we already published?
Crucially... we would imagine that the video totally flopped.
I cannot overstate how much that mindset shift changed things.
Having already reviewed our upcoming video multiple times, given feedback to the editor, and having thought the video was pretty tight...
...I suddenly found 2+ minutes of footage I wanted to cut.
It was like I'd unlocked a new part of my brain 🧠
It turned out I'd not been entirely honest with myself in my previous feedback sessions.
But I'd been liberated by this new way of thinking.
So, when taking a final pass at your next video (at either the scripting or editing stage)...
...imagine you're reviewing the video after you published it... and it totally flopped!
(And notice yourself become a little more brutal with your feedback 😉)
Huge shoutout to Andra from Efficient App (my wonderful client!) for this awesome mindset shift! 🙏
That's all for this week.
After a busy month, I've decided to go totally offline for the next 10 days (first time in over a year!)
So... no newsletters for the next 2 weeks!
Appreciate your patience, grateful for your support... and wishing you all the best for now ☕️
Speak soon,
George 👋
Brought to you by:
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I used to find YouTube scriptwriting incredibly stressful.
Yup, me, a YouTube scriptwriter 😅
Despite working on videos that have gained 40m+ views, the "blank page" was always a major source of stress.
Every time I sat down to write, I worried that I wouldn't be able to replicate past successes.
And overthinking would turn into complete inertia.
That is, until I discovered...
*cue angelic choir*
Thankfully, I spent a lot of time developing systems and frameworks to combat those feelings.
That way, when I sat down, I had a repeatable system that I could use every single time.
In 2023, I released that system: The YouTube Scriptwriting Playbook.
I still use it to this day... literally every time I sit down to write.
But, of course, a LOT has changed since then.
With the rise of AI over the last two years, simply creating systems isn't enough anymore.
It's about how to implement them faster.
These are the tools that 2023 George WISHES he'd had.
I've spent months wrestling with ChatGPT to teach it how to transform a simple idea into a fully written, word-for-word script, complete with B-Roll suggestions... without batting an eyelid.
And... I think I've cracked it.
I already feel like I need these tools in my workflow, and... I'm pretty sure you'll find it useful for yours too.
So, if you're ready to skip repetitive scriptwriting tasks and upload more consistently with these easy-to-use AI tools...
...check out the AI Scriptwriting Toolbox 👇
Get the AI Scriptwriting Toolbox
That's all for this week.
Any questions about any of the GPTs? You can to reply to this email and I'll get back to you.
Back to our regular emails from next week!
Speak soon,
George 👋
Join 5,000+ scriptwriting nerds reading “Write On Time”. Insights from writing for multi-million subscriber YouTubers sent to your inbox every Friday.